About Me

I’m about to be twenty-six years old. I grew up in Bethesda, Maryland outside of Washington, D.C. and so I studied political science in college, at Tufts University in Massachusetts. I discovered about halfway through that I wasn’t satisfied with political science, and so I channeled myself into creative courses at the adjoining arts school. I write, and I dabbled in sound and video creative work. I’m queer, have Jewish ancestry on my mother’s side, and I live in Flatbush, Brooklyn. I’ve worked for a few non-profits since graduating college — first, one dedicated to childhood arts education, then Bryant Park, and now for the Brooklyn Chamber Orchestra, run by Philip Nuzzo. I’ve been working with the BCO since late year, more than six months. My aim and intention is to continue on with the orchestra through the next year, if not longer. I am in the exploratory phase of my career, more or less, and I am hopeful that working with orchestra and developing a deeper relationship with it will teach me about what I would like to do in my future and how to achieve it. I may return to graduate school, too. I am not a musician, but I appreciate music and connect with it in a personal way, that carries meaning and energy from other parts of my life. I have only tangential administrative experience, so I have a lot to learn in terms of demonstrating my passion in a constructive way. And I write poetry. 

Thank you for visiting my site, and I hope that you can connect with what you find here. I will update it regularly with tidbits of what I’m writing, some finished, some unfinished, others funny, and others serious. I hope it inspires something within you and opens a new sense of myself. I am grateful to all viewers, listeners, readers, lovers, haters, friends, etc.

Bridget Ronnie is a poet living in Brooklyn, of course. Where else? She writes in her spare time, which is a lot, and has a collection of poems forthcoming.

This website is dedicated to her current works in progress, which are a timeline of her emotional state — and mental associations. With wordplay, understated rhyme schemes, and quiet thunderstorms, she questions and highlights the world. In its simplicity, completing anonymity.

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